Ocean
Pablo Neruda
Body purer than a wave,
salt that washes the line,
and the luminous bird
flying without roots.
Tuesday, May 26, 2015
Friday, May 22, 2015
Lessons from Travel: What NOT to Do
Another article up, if anyone is interested!
(Casey, I think you'll enjoy this. And happy anniversary! I love you.)
(Casey, I think you'll enjoy this. And happy anniversary! I love you.)
Tuesday, May 19, 2015
Poetry Corner Whenever-I-Feel-Like-It
Answers
Mary Oliver
If I envy anyone it must be
My grandmother in a long ago
Green summer, who hurried
Between kitchen and orchard on small
Uneducated feet, and took easily
All shining fruits into her eager hands.
That summer I hurried too, wakened
To books and music and circling philosophies.
I sat in the kitchen sorting through volumes of answers
That could not solve the mystery of the trees.
My grandmother stood among her kettles and ladles.
Smiling, in faulty grammar,
She praised my fortune and urged my lofty career.
So to please her I studied--but I will remember always
How she poured confusion out, how she cooled and labeled
All the wild sauces of the brimming year.
Mary Oliver
If I envy anyone it must be
My grandmother in a long ago
Green summer, who hurried
Between kitchen and orchard on small
Uneducated feet, and took easily
All shining fruits into her eager hands.
That summer I hurried too, wakened
To books and music and circling philosophies.
I sat in the kitchen sorting through volumes of answers
That could not solve the mystery of the trees.
My grandmother stood among her kettles and ladles.
Smiling, in faulty grammar,
She praised my fortune and urged my lofty career.
So to please her I studied--but I will remember always
How she poured confusion out, how she cooled and labeled
All the wild sauces of the brimming year.
Thursday, May 14, 2015
Tuesday, May 12, 2015
Why Isn't the Whole World Like This?
This story. I just...I am so in love with this story!
Vienna Introduces New, Same-Sex Themed Crosswalk Signals
Vienna Introduces New, Same-Sex Themed Crosswalk Signals
Monday, May 11, 2015
Poetry Corner Monday
The Great American Poem
Billy Collins
If this were a novel,
it would begin with a character,
a man alone on a southbound train
or a young girl on a swing by a farmhouse.
And as the pages turned, you would be told
that it was morning or the dead of night,
and I, the narrator, would describe
for you the miscellaneous clouds over the farmhouse
and what the man was wearing on the train
right down to his red tartan scarf,
and the hat he tossed onto the rack above his head,
as well as the cows sliding past his window.
Eventually--one can only read so fast--
you would learn either that the train was bearing
the man back to the place of his birth
or that he was headed into the vast unknown,
and you might just tolerate all of this
as you waited patiently for shots to ring out
in a ravine where the man was hiding
or for a tall, raven-haired woman to appear in a doorway.
But this is a poem,
and the only characters here are you and I,
alone in an imaginary room
which will disappear after a few more lines,
leaving us no time to point guns at one another
or toss all our clothes into a roaring fireplace.
I ask you: who needs the man on the train
and who cares what his black valise contains?
We have something better than all this turbulence
lurching toward some ruinous conclusion.
I mean the sound that we will hear
as soon as I stop writing and put down this pen.
I once heard someone compare it
to the sound of crickets in a field of wheat
or, more faintly, just the wind
over that field stirring things that we will never see.
Billy Collins
If this were a novel,
it would begin with a character,
a man alone on a southbound train
or a young girl on a swing by a farmhouse.
And as the pages turned, you would be told
that it was morning or the dead of night,
and I, the narrator, would describe
for you the miscellaneous clouds over the farmhouse
and what the man was wearing on the train
right down to his red tartan scarf,
and the hat he tossed onto the rack above his head,
as well as the cows sliding past his window.
Eventually--one can only read so fast--
you would learn either that the train was bearing
the man back to the place of his birth
or that he was headed into the vast unknown,
and you might just tolerate all of this
as you waited patiently for shots to ring out
in a ravine where the man was hiding
or for a tall, raven-haired woman to appear in a doorway.
But this is a poem,
and the only characters here are you and I,
alone in an imaginary room
which will disappear after a few more lines,
leaving us no time to point guns at one another
or toss all our clothes into a roaring fireplace.
I ask you: who needs the man on the train
and who cares what his black valise contains?
We have something better than all this turbulence
lurching toward some ruinous conclusion.
I mean the sound that we will hear
as soon as I stop writing and put down this pen.
I once heard someone compare it
to the sound of crickets in a field of wheat
or, more faintly, just the wind
over that field stirring things that we will never see.
Wednesday, May 6, 2015
Monday, May 4, 2015
Poetry Corner Monday
Splitting an Order
Ted Kooser
I like to watch an old man cutting a sandwich in half,
maybe an ordinary cold roast beef on whole wheat bread,
no pickles or onions, keeping his shaky hands steady
by placing his forearms firm on the edge of the table
and using both hands, the left to hold the sandwich in place,
and the right to cut it surely, corner to corner,
observing his progress through glasses that moments before
he wiped with his napkin, and then to see him lift half
onto the extra plate that he asked the server to bring,
and then to wait, offering the plate to his wife
while she slowly unrolls her napkin and places her spoon,
her knife, and her fork in their proper places,
then smooths the starched white napkin over her knees
and meets his eyes and holds out both old hands to him.
A Meeting after Many Years
Ted Kooser
Our words were a few colorful leaves
afloat on a very old silence,
the kind with a terrifying undertow,
and we stood right at its edge,
wrapping ourselves in our own arms
because of the chill, and with old voices
called back and forth across all those years
until we could bear it no longer,
and turned from each other,
and walked away into our countries.
Ted Kooser
I like to watch an old man cutting a sandwich in half,
maybe an ordinary cold roast beef on whole wheat bread,
no pickles or onions, keeping his shaky hands steady
by placing his forearms firm on the edge of the table
and using both hands, the left to hold the sandwich in place,
and the right to cut it surely, corner to corner,
observing his progress through glasses that moments before
he wiped with his napkin, and then to see him lift half
onto the extra plate that he asked the server to bring,
and then to wait, offering the plate to his wife
while she slowly unrolls her napkin and places her spoon,
her knife, and her fork in their proper places,
then smooths the starched white napkin over her knees
and meets his eyes and holds out both old hands to him.
A Meeting after Many Years
Ted Kooser
Our words were a few colorful leaves
afloat on a very old silence,
the kind with a terrifying undertow,
and we stood right at its edge,
wrapping ourselves in our own arms
because of the chill, and with old voices
called back and forth across all those years
until we could bear it no longer,
and turned from each other,
and walked away into our countries.
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